Mexico, Francis Alys, and Brotherhood
English TürkçeI would have never imagined that Francis Alÿs’s exhibition “Relato de Una Negociacion” at Mexico City’s Tamayo Museum would have such an effect on me. I wasn’t even planning on going there. I had left my AirBnB room that Sunday morning with the intention of going to the Museum of Anthropology—one of the city’s “musts”—and that’s where I had gone. But before I purchased a ticket, some sort of a protest art in the museum’s palatial lobby caught my attention. As I stood there trying to figure out what the lines of empty chairs with photos of faces on them meant, a lady who I later learned to be a history professor named Angelica, handed me a flyer. She told me that the chairs represented the 43 students who “disappeared” almost a year ago in Iguala while protesting the government’s discriminative policies in teacher placement. The demand of the protestors, of which there were two, was simple: the disclosure of the location of these individuals, dead or alive. “Since this museum is part of the INAH …
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